He
gave the room a final once over. Then he
answered the door.
She had
smallish green eyes and talked to his shoes.
“I’m
the model,” she said.
“And
I’m the artist.”
He
was trying to be cute. The model only
nodded.
“Come in,”
he said.
She entered
the dim studio.
“Are these
your drawings?”
“Yes.”
“They’re
amazing.”
“Don’t
patronize me,” he said.
She stared
at his shoes.
“There’s a
robe in the bathroom.”
The model
scurried into the bathroom with her backpack.
Minutes later she came out wearing a pinkish terricloth robe.
“On the
futon,” he said.
Terricloth
slid from the model’s hunched shoulders.
Her collar bones and hips protruded.
The small green eyes seemed to apologize.
“Tell me
something,” he said, “I don’t recall asking for a skeleton. Did I ask for a human skeleton in my ad?”
A
matchstick rose to wilting breasts.
“I’ve been. . .sick.”
“Oh, I get
it. You’re one of those high-strung,
over-achieving anorexic girls. Like they
show on the after school specials. Prom
queen, cheerleader. But one look at a
bon-bon. . . .”
“Shut up!”
she exploded.
“No,
wait. You’re a sweet farm girl from the
heartland. Came here to be an
actress. Got mixed up with certain
people. Now you do whatever it takes for
that next hit. If the cheerleaders could
only see you now.”
The model
began to weep. He turned his back as she
dressed and rushed out.
The
following weeks were difficult. He sat
around doubting himself. His style was
too traditional, too formal for the galleries.
He glanced at the half-dozen framed drawings on the walls. They were Ok.
But shouldn’t an artist have more to show for the last ten years of his
life?
Then
another one answered the ad.
Upon
opening the door he discovered a giant goth with blue hair and a tiny yellow
lunchbox.
“Hey, I’m
the—”
“The futon
is over there. Robe’s in the bathroom.”
“I won’t be
needing that,” she said.
The model
walked over to the futon and peeled off her black skirt and torn black
tights. For a moment he envied her
shamelessness. Then she bent over. A tampon string dangled from her wild blue
crotch.
“Hey, got
anything to drink?” she asked. “I like
to get hammered before I pose.”
“I don’t,”
he said, “but would you like a Twinkie or an Eskimo Pie?”
“Ha, ha.”
“By the
way, the string. Nice touch. You remind me of a great big fat balloon.”
“Hey,
that’s not cool!”
She pulled
a lobster fork out of her tiny lunchbox and held it to his neck.
“No need to
resort to violence,” he said.
“I’ve been
working a long time to get my shit together, man! And no little prick like you is gonna take
that away from me! Got that?”
He nodded.
She
dressed, spit on the floor and was gone.
The third
was not only pretty but competent.
Within minutes she was nude and taking directions on the futon.
He could
not commit a line to paper.
“Jesus,” he
barked, “your body!”
“What’s
wrong?”
“It
doesn’t. . .translate.”
“Translate?”
“Look. Go home.”
“But I’m
homeless,” she smiled.
He put down
the charcoal.
“Let me get
this straight,” she said. “I just took
off all my clothes and now you want me to go home?”
“Yes.”
“What are
you, gay?”
“No.”
“Impotent?”
“I’m an
artist, damn it!”
She went
and opened the blinds.
“So draw
me. For Christ’s sake, do something.”
He stood
there as she dressed.
Gone. Without a word.
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